Showing posts with label Yaz. Show all posts
Showing posts with label Yaz. Show all posts

Sunday, September 6, 2026

1.02. The Return of the Doctor.

CD cover for The Return of the Doctor.

Running Time: Approx. 65 minutes. Written by: Rory Thomas-Howes. Directed by: Bethany Weimers. Produced by: Noga Flaishon.


THE PLOT:

The Doctor and Yaz scramble to save the peaceful planet Velazaar from invasion. They are assisted by Talpa (Will Kirk), a Zaarian orphan. The Doctor's plan to save the day requires the boy to put himself in the line of fire. The plan works... but Talpa is injured, sparking a rare flash of anger from Yaz toward the Doctor.

After they take the boy to the hospital, the Doctor is ready to head off on their next adventure. Yaz insists otherwise, demanding that they make sure he will be all right. The Doctor agrees to hop forward to check in on him. Then Yaz touches the wrong control, pushing them forward not by the week the Doctor had intended, but instead by a full ten years!

In the intervening decade, Velazaar has descended into turmoil. The capital city is in ruins, and the previously peace-loving Zaarians in a state of constant conflict. Everyone the time travelers meet has clouded eyes, and their anger is focused entirely at the Doctor.

An alien presence known as "The Whisper" has infected the population. It's invaded Yaz's mind as well, broadcasting its simple yet compelling message:

"This is her fault!"


CHARACTERS:

The Doctor: The story puts some focus on the Doctor's flaws. She is slightly hypocritical, tearing into Taav (Stephan Bessant) for putting Talpa in danger when she's guilty of the exact same thing. She all but flees the planet after saving it, insisting that she doesn't want people to learn to depend on her. She shows moments of callousness; and as the Whisper gloats, her actions do everything to shake Yaz's trust in her. This plays beautifully on aspects of the Thirteenth Doctor that were glimpses in Series 12 and 13, and Jodie Whittaker's performance is excellent in scenes in which the character becomes a little too pragmatic for comfort.

Yaz: Her anger at the Doctor endangering Talpa seems to give the Whisper the foothold it needs to gain access to her. Her faith in her friend allows her to keep that voice at bay. Too bad the Doctor's own actions keep shaking that faith. When the Doctor wonders if the now-grown Talpa's resentment is a sign of alien influence, Yaz points out that he has valid reasons to be angry - and I'm pretty sure that's "real Yaz" speaking, not "whisper Yaz." This story gives Mandip Gill some strong material, and she rises to it, both when Yaz is legitimately angry with her friend and when she is finally possessed.


THOUGHTS:

The Return of the Doctor presses on the fault lines of the otherwise tight-knit Doctor/Yaz team. "The Whisper" is a well-chosen enemy, a vehicle that exposes the differences between the two leads while still telling a good Doctor Who story.

Never minding other aspects of their relationship, Yaz has a chronic and long-standing case of hero worship toward the Doctor. It was in Arachnids in the UK - only their fourth episode together - that she dubbed her "the best person (she's) ever met." That's why she's so upset to see the Doctor putting teenage Talpa in danger. She calls the Doctor on it, snapping that she was trained to never put civilian lives in danger. The Doctor protests that she isn't police, which Yaz cuts off flat: "No... You're better."

From that point, each act of either recklessness or callous pragmatism pushes them further apart. "The Whisper" may influence the strength of Yaz's reaction, but it doesn't create the sense of disappointment and even betrayal. This draws out the best in both Jodie Whittaker and Mandip Gill, both of whom have rarely been better in these roles.

The episode runs about 65 minutes, rather than the more standard 50 minutes, and that extra time is well used. The major guest characters all get a hint of depth, with each of the Doctor's allies haunted in various ways by their pasts. There's plenty of action, including a couple of nicely-executed audio set pieces. The extra length also gives the narrative the freedom to slow down for a few moments of quiet, which helps the major guest characters to gain a hint of added depth. Because we get to know the guest cast, it's more than a little unsettling when the Doctor makes a cold and abrupt choice around the two-thirds mark.


OVERALL:

In both this story and Vampire Weekend, I've been impressed by how seamlessly Whittaker and Gill have made the jump from television to audio. Their original performances were often visual, with movement and facial expression providing a lot of their characterization. Somehow, they've both managed so far to work those layers into purely vocal performances.

While I know it's not a point of universal agreement, I actually enjoyed The Return of the Doctor more than the first story. It delivers one of the things I really want from this range: A deeper dive into the characters, both as a team and as individuals. I love seeing the Doctor and Yaz turned against each other; and though "the Whisper" feeds on and magnifies the tensions, it doesn't seem to create them, instead just exploiting differences that are already there.

It's a fine story, and I find it very promising that both the characters and the actors are working this well in only their second Big Finish release.


Overall Rating: 8/10.

Previous Story: Vampire Weekend
Next Story: Lionesses in Winter (not yet reviewed)

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Sunday, August 30, 2026

1.01. Vampire Weekend.

CD cover for Vampire Weekend.

Running Time: Approx. 51 minutes. Written by: Tim Foley. Directed by: Ken Bentley. Produced by: Noga Flaishon.


THE PLOT:

Yaz takes a break from her travels with the Doctor to attend the "hen-do" for her friend Gina's wedding. The site is a remote manor, complete with hedge maze, and the weekend has been planned by Gina's maid of honor, Zoya (Anna Crichlow). Several of Yaz's friends are there, along with Gina's mother (Mandi Symonds) - but Gina herself is nowhere to be seen.

The group has only just arrived when an unexpected visitor shows up: The Doctor. She has apparently invited herself, and she's brought two chickens and bunches of eggs for the occasion. Yaz is embarrassed and Zoya is furious, but it quickly becomes clear that the Doctor's arrival is not just some random whim.

Strange things begin happening. Yaz and Zoya discover that an invisible barrier surrounds the property. A dog is gruesomely murdered, and one of the guests is attacked. When the Doctor and Yaz run to help, they discover a telltale wound on the victim's neck: a vampire bite.

The Doctor's sonic screwdriver detects no extra life forms - which means that the vampire has to be one of the guests...


CHARACTERS:

The Doctor: Writer Tim Foley does an excellent job of capturing the 13th Doctor, both her quirkiness and the way she uses it to keep secrets. Her very first scene dials the eccentricity up to borderline annoying levels, only for the script to reveal that she's come on very serious business. She worries that she brings trouble with her, and she confesses to missing Graham and Ryan. Jodie Whittaker's Big Finish debut is promising. She stays mostly light-hearted, talking rapidly and excitedly. However, that helps to draw attention to the brief moments when she slows down and shows hints of emotional vulnerability.

Yaz: She indicates she's left the police force, a development that makes sense but that I think should have been saved for a later story. She's determined to take this weekend to reconnect with her friends, but her travels have left her feeling disconnected from the people she used to know. She expresses some uncertainty about her current status with the Doctor, wondering how they are supposed to interact now that Graham and Ryan have moved on.


THOUGHTS:

Vampire Weekend makes a strong impression right away. The teaser sees Yaz driving two friends to the manor, where she meet's Gina's mother and spars a bit with Zoya. All of this could come direct from an ensemble comedy or character drama, and the dialogue makes it enjoyable as the characters and initial dynamics are established. Then the Doctor shows up, her intrusion heralding the arrival of the fantastical. I could just about picture Jodie Whittaker giving an oblivious-but-not-really grin to take us into credits. Had there been a season between Revolution of the Daleks and The Halloween Apocalypse, then I could easily picture this opening it.

The story, with the characters trying to figure out who among them is the vampire, echoes the "Werewolf" party game, and Foley wisely acknowledges that parallel. One character even mistakes the vampire hunt for "prepared entertainment" and tries to make an outside call to be rescued from the "fun." He is otherwise portrayed as a bit of a jerk - but I absolutely sympathized with him in that moment.

The nature of the story means that everyone is a viable suspect. This includes the Doctor and Yaz, who arrive separately, making either of them a potential imposter. This eventually occurs to them, resulting in a particularly good character scene in which each reveals private thoughts while doubting the other.

The tone is mostly breezy and light, but underneath there runs an effective running theme about truth. This most guarded of Doctors doesn't hesitate to declare that "truth is always ugly." For the most part, though, the truths revealed by these victims are more regretful than damning. One man berates himself for being selfish, wishing that he could be different. Another woman cooks because it's her "happy place" and confesses to feeling overwhelmed. Even the most hurtful statement, which reduces one guest's partner to tears, is principally an admission of uncertainty after a major life change.

Crucially, it's a moment of honesty between the Doctor and Yaz that helps them with the adjustment to traveling without Graham and Ryan. Yaz notes that when the Doctor got lost in herself, she could always talk to "the boys" until she snapped out of it, and that she's finding it harder to interact without them. Confronting the Doctor with that is the first step to them actually addressing that shift rather than ignoring it - which means that Vampire Weekend deals with the departure better than the actual television episodes did!

The entire story is fast-paced and clever, with just enough substance to avoid feeling featherweight. The production is to Big Finish's usual high standard, and Joe Kraemer's incidental music fits the tone of both the story and its era.


OVERALL:

I'll admit to hoping that some of the stories to come will be a little less quick-and-quirky. But Vampire Weekend strikes the right tone for an initial release, emphasizing humor in a way that should engage those sampling a new range, while still being substantial enough to leave future writers character beats to build upon.

It's a solid introduction, and I look forward to hearing more of the 13th Doctor in future releases.


Overall Rating: 7/10.

Preceded by: Revolution of the Daleks
Next Story: The Return of the Doctor

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The Thirteenth Doctor Adventures - Review Index

CD cover for Vampire Weekend.

Series One (2025 - 2027):
Set between Revolution of the Daleks and The Halloween Apocalypse

1.01. Vampire Weekend
Release Date: July 2025

Release Date: September 2025

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